Category Archives: dreamspinner

>Seven Questions With Rachel West

>The Cellmate
By Rachel West
eBook, Dreamspinner Press, June 16, 2010

Let’s start with the basics: what’s your story about, and how can readers get their hands on it?

The Cellmate is a novella about two men who find love in the unlikeliest of places. The story focuses on Andy Bingham and Jesse Cohen, two genuinely good guys who have made some genuinely bad decisions and end up sharing a prison cell. They quickly begin a relationship that starts out as just sex but, to their mutual surprise, turns into something more. It’s available at Dreamspinner Press [link above].

How did you get started writing fiction?

Like a lot of other romance/erotica writers, I started in fanfiction. It began as nothing more than a fun hobby, but I found that I absolutely loved it, and it started taking up more and more of my time. After a while, I decided to branch out and try my hand at original writing. My first book, Everything Under the Sun, came out earlier this year.

Where did the inspiration for The Cellmate come from?

I never know how to answer inspiration questions. I had an image in my head of two guys in a jail cell having strictly physical sex, with no kissing, no false intimacies, and yet somehow, it meant something more than that to both of them. And I couldn’t stop thinking about that image, and the story that might lie behind it, so one day I sat down and just wrote it out. But where did the image come from in the first place? I haven’t the foggiest idea. Sorry, that’s not very helpful! 🙂

How long did it take you to write and revise the book—start to publication?

The Cellmate happened very quickly; from start to finish, about two weeks. I didn’t submit it for publication until much later, though. And it is not a full-length book—it’s only about 21,000 words long. Still, that’s much faster than I usually work. Everything Under the Sun, which was 58,000 words, took about six months.

How much time do you spending writing—by the day, week, month, however you define it?

Probably more than I really should. Heh. I pretty much am writing all the time, or plotting or planning my writing. Except for those times when my dang job gets in the way. Or, y’know, sleep, or food, or being married. 🙂

How do you write, physically speaking? Longhand, laptop, desktop, inside or out, at a desk, comfy chair, in bed?

Yes. Well, almost all of those—strike longhand and outside. But I’ve made thorough use of all the rest of those options.

Other than simply finding the time, what’s the most challenging part of the writing process for you? What comes easiest?

For me, writing the sex scenes is the easiest. The most difficult is deeply emotional scenes, especially confrontations. But all of that is definitely eclipsed by the difficulty of finding the time.

Thanks so much again for having me, Shae!

>Seven Questions With Mickie B. Ashling

>Loving Edits
By Mickie B. Ashling
Paperback & eBook, Dreamspinner Press, June 14, 2010

Let’s start with the basics: what’s your new book about, and how can readers get their hands on it?

My latest novel is a m/m/m romance about three men in crisis. Don’t let the blurb scare you [full blurb on the Dreamspinner website].

Loving Edits celebrates the joys and sorrows of true love while exploring the human spirit. When bestselling novelist Mick Henley contacts his editor and former lover, Paul Alcott, after a seven-year absence, hearing Mick’s voice reinforces what Paul has known all along—he still loves Mick—but his hopes are dashed when he learns Mick is in a loving relationship with Tono Garat. Mick soon reveals he’s been diagnosed with a fatal disease, and Paul and Tono must figure out if they can overcome their differences to provide the loving support necessary to sustain the man they love.

How did you get started writing fiction?

I had a mother who was a voracious reader. She always had a book in her hand, and it was a natural thing for me to gravitate toward her favorite pastime. English and literature were favorite subjects in school, and my vivid imagination just made for a great combination.

How much time do you spend writing—by the day, week, month, however you define it?

I write every day from 3:00 A.M. to 5:30 A.M. Then I get ready for my day job. I never take a break from my schedule, even when I’m on vacation. If nothing new comes to mind, I edit. I’m one of those lucky people who can survive on five hours of sleep.

What’s the most challenging part of the writing process for you?

Finding the perfect words for what I want to say. For instance, it’s always difficult to come up with fresh and different ways to describe a sex scene. There are certain key words that are used to death in this genre (m/m), and I find it challenging to come up with variations of the same.

What comes easiest?

Plotting. I never seem to run out of ideas. Having four sons is very helpful when you’re writing about men. Our conversations usually start with my question and their reply which goes like this. “Eww, don’t ask me that” or “Promise you won’t put this in a book” or “You want to know how to say WHAT in a different way?” It’s always fun to hear the shock, followed by the burst of laughter. I’m amazed I get anything done, but I must say that they have been very helpful with all the ick questions I throw at them.

How do you write, physically speaking? Longhand, laptop, desktop, inside or out, at a desk, comfy chair, in bed?

I use a desktop when I’m at home and a laptop when I’m traveling. I never write in longhand anymore. I can’t write as fast as I create, and it’s frustrating , not to mention difficult, to read my own scribble once I get done. I love computers. They’ve made a huge difference in the way I write. There’s nothing more exciting to me than filling up a blank screen.

Do you write just one story at time, or do you usually have several works in progress?

One at a time. I can’t move on to the next project until the one I’m working on is completed, edited, and submitted. Even after that, I’m on tenterhooks until I get word that it’s under contract. Then I can relax and start on a new story.

What are your long-term goals as a writer?

Quitting my day job is something I dream about. I want to have more time to write, so I’m working toward that goal. As for the actual writing, I enjoy reading historical fiction but have never attempted that genre. I’d love to try my hand at it someday. And who doesn’t dream of the movie deal? That’s the ultimate fantasy for a writer, isn’t it?

Find Mickie on LiveJournal and at her website.

>Seven Questions With William Cooper

>Broken Bones, Mended Hearts
By William Cooper
eBook, Dreamspinner Press, May 2010

Periodically, I’ll be featuring a short interview with an author here. My first victim … er, guest is Dreamspinner author William Cooper. Special thanks to Rachel West for the e-introduction!

Let’s start with the basics: what’s your story about, and how can readers get their hands on it?

My story is about two college guys who’ve been best friends for years. After Noah, the main character, is attacked outside the library, Mark realizes how much he really cares for his best friend.

How did you get started writing fiction?

I started writing fiction back in middle school. My seventh grade teacher gave us an assignment—take one of our favorite novels and rewrite the ending to it. Ever since then, I’ve been writing non-stop.

Where did the inspiration for “Broken Bones, Mended Hearts” come from?

In part, it’s based on my own best friend. Like Mark, my best friend has always been there for me through everything. (Though sadly, he doesn’t have a romantic interest in me.)

The story was originally written for Dreamspinner’s A Brush of Wings anthology. When I read the prompt about stories about angels, I thought of a figurative angel, rather than a literal one. And Mark is Noah’s angel.

How much time do you spending writing—by the day, week, month, however you define it?

I try to write every day. Some days I only manage to get a couple paragraphs done, others I’m practically glued to my keyboard. I have a whole folder filled with random scenes and drabbles that I popped into my head that I had to write down. Some I’ll probably never use, but occasionally I go back through them and add to them or use them in a WIP.

How do you write, physically speaking? Longhand, laptop, desktop, inside or out, at a desk, comfy chair, in bed?

90% of my writing is done on my laptop. I write pretty much wherever I am—at home at my desk, in the middle of my Ancient Literature class, or even while I’m working at the flea market. I always have a notebook with me in case I need to jot down a quick scene or idea. A large part of “Broken Bones, Mended Hearts” was written during my British Literature class. (Sorry, Dr. Chuska.)

What’s the most challenging part of the writing process for you? What comes easiest?

The hardest part of the writing process is the waiting. I’m extremely impatient so I’m constantly pacing waiting for replies. It seems like a lot of the writing process is waiting—waiting for your beta reader, waiting for an acceptance/rejection, waiting for edits, waiting for a proof copy, waiting for a cover and then waiting for release. Sometimes I think I’m in the wrong field when I think about all the waiting I have to do.

The easiest part is coming up with the story. I’ve constantly got stories floating around in my head so it’s not hard to pick one and turn it into words. (Although it’s hard to stick to one very long sometimes.)

What are your long-term goals as a writer?

My long-term goal is to make my living as a writer. I’d love to be able to spend my days writing and get paid for it. Maybe then my friends will stop looking at me like I’m mental when I say I’d rather sit home and write then go out to a party.

>Review: Everything Under the Sun by Rachel West

>Everything Under the Sun
by Rachel West
eBook, Dreamspinner Press, May 2010

Seth or Alex? Nineteen-year-old Chris has a choice to make—past versus present, old flame versus new—and it’s tougher than it seems. In her first novel, West has drawn three strong, sympathetic main characters, making the reader’s choice as difficult as Chris’s. Backed by an equally strong supporting cast, the three men navigate their way through physical intimacy and emotional timebombs, leading to an ending that leaves the reader with lingering sadness for the odd man out but just as thrilled with the final couple as they are with each other. And let’s not forget the sex, which is amazing, sensual and hot, with an astounding depth of feeling (whether good or bad) underlying the pure physicality.