>Seven Questions With Sullivan Wheeler

>Billionaire’s Row
By Sullivan Wheeler

Paperback & eBook, Dreamspinner Press, July 2010

The basics first: what’s your new book about, and how can readers get their hands on it?

My new book, Billionaire’s Row, is about a closeted police detective named Michael Weiss. When the body of a wealthy defense lawyer turns up on the front lawn of Sam Christiansen, a former television star, Michael is assigned to investigate the murder. Things quickly get complicated, though. Before Michael knows it, he’s being drawn into a world of money and fame, unsure of who to trust, and finding himself drawn more and more to the handsome and enigmatic Sam. The book is available at the Dreamspinner Press website (see links above), Amazon.com, and AllRomanceEbooks.com.

Where did the inspiration for your story come from?

With this story, that’s actually a difficult question to answer. With this murder mystery, I worked backwards: I knew who did it before I knew how Michael was going to find it out. So, if I were to tell you how I came up with the story, I would be giving away the ending. Other things, though, I can say. For instance, the setting—Ponte Bonita, Florida—is based on an oceanside community I worked in near my house. One of the main characters, Deanna Davies, the victim’s very young, very beautiful wife, is based in part on a woman I worked for (who, for reasons that will be obvious to anyone who reads the book, shall remain unnamed). Certain things, like the house fire, came from experiences people I know have had: someone my husband worked for had his brand new McMansion burn to the ground in a possible arson. So, a lot of the details just come out of my life and my experiences, smoothed over with a lot of imagination.

How long did it take you to write and revise the story, start to publication?

I started thinking about the plot a few years ago. Actually, I never intended to publish it. I was just thinking that I would write it to entertain a friend of mine. I turned the plot over in my head for about a year and then I sat down and wrote the first three chapters. For some reason—I can’t really remember what it was, now—I got bored, and I put it away and started working on some other things. I had this other project that I was wrestling with and then it became obvious that that was never going to pan out, so I pulled the manuscript that would become Billionaire’s Row out of the drawer and got to work. It was about three months after that that I sent it to Dreamspinner Press, which scooped it up pretty quickly. That was in March. Alltogether, it’s probably been about four years since I first had the idea. But that’s how I work. There’s always about half a dozen potential stories floating around in my brain, just waiting for me to start putting them down on paper.

How did you get started writing fiction?

It was something that I’ve always done, even before I really knew why I did it. When I was a kid, I used to make up and act out stories in my back yard, just by myself (I must have looked like a lunatic to anyone observing). The first story I ever remember writing down was in kindergarten, and it just sort of went from there. I kept writing as I got older, and in college I was a writing major. That was a decade ago (boy, do I hate admitting that!), and I’m just now getting around to having a novel published.

You know, writing is one of those things that really, really takes practice. If someone says that the first novel they got published is the first one they ever tried to write, you can probably call them a liar (or you can call their novel not very good). Every time you write, even if you don’t necessarily finish the project, you learn something, and I think it takes a lot of these little lessons to have enough knowledge and experience to write 100,000+ words that people want to pay money to read. So, it’s all really been a journey to get from that first story in kindergarten (which was about a farm, in case you’re interested) to a full-length murder mystery.

How much time do you spend writing—by the day, week, month, however you define it?

I don’t really have any defined set of time that I use to write. It generally seems to be that I spend a lot of time thinking about a plot and then, all of a sudden, I will feel ready to start writing. Once I start writing, I’ll spend several hours a day (basically every minute when I’m not asleep or at my regular day job) writing. I shoot for 5,000 or more words per day. There’s a few months of that until I’m done, and then it begins all over again: think, think, think, write.

Do you write just one story at time, or do you usually have several works in progress?

Like I said, I usually have several stories cooking in my brain at any given time. But when it comes to actually writing, I’m generally just working on one thing at a time. Occasionally, I will take a quick break from a big project (novel or novella) that I’m working on to write a short story, but that’s never more than a few days.

What are your long-term goals as a writer?

If you had asked me this a few years ago, I would have said that I wanted to write mainstream novels, and I may still write mainstream novels. I never intended to write gay fiction, and just sort of fell into it backwards. Now that I’m in it, though, I’m finding it very rewarding. Not only do I appear to have some talent for it, but it’s a nice, laid-back kind of world. And Dreamspinner has been a dream to work with; they treat their authors very well and are really helping me to grow as a writer. Definitely for the time being, I will continue to write gay fiction. I think my biggest long-term goal (and I hope it’s not too long term) right now is to be able to make a living writing.

>Drabble: Thirty

>Soot from the dying bonfire drifted past, carried by the last breaths of the windy spring day. Billy sat barefoot in the grass, gazing out across the pond, waiting for the promised private afterparty.

The birthday girl appeared in front him, late as usual, still just as beautiful at thirty as she’d been at eighteen. She straddled Billy ‘s lap, mouth reddened with dye from the fruit punch she’d been drinking. The color made Billy crave a taste.

They kissed, and Billy ‘s eyes fluttered shut as he felt time freeze again, as it always did when he lost himself in Anna.

>Case of the Jitters

>I’ve finished the revisions on my novella and am ready to give it one more once-over and then resubmit.

I’m nervous.

Not to say that I wasn’t nervous on the original submission. I was. But sending out a cold submission, I was prepared for rejection. I wouldn’t have been happy about it, but I know good and well rejections are the rule, not the exception.

A tentative acceptance makes things more difficult. If I mess up the revisions, then I could easily lose out on the acceptance. And that would be more painful because I came so close.

I’m usually pretty good about having confidence in my abilities. I know I can write a good story. I know where my strengths and weaknesses are. I know I’m a good substantive editor and can pick apart holes in a story with the best of them.

But this whole process is new to me, as I’ve said before. I’ve never published original fiction before (other than drabbles). I’ve done a lot of things in the past year I’ve never done before, writing-wise: writing m/m, writing alternate universe fanfic scenarios, writing long stories. And now, writing original fiction for publication. It’s a lot to cram into a fairly short period of time.

At any rate, I’ll be resubmitting my story today, come hell or high water. Wish me luck.

>Works in Progress: Winning the Lottery

>Mark kept up his end of the conversation as they walked, laughing and joking, deliberately working to keep things light. Mark’s stomach twisted a little tighter with every step, nerves trying to get the best of him. He liked Bennett a lot, and unless he’d been misreading everything that had happened since the day of the interview, Bennett felt the same way.

His thoughts were interrupted by the feel of Bennett’s fingers wrapping around his hand. Mark jumped and barely stopped himself from pulling away. He turned his head and met Bennett’s smiling face.

“You okay?” Bennett’s voice held a note of amusement.

Mark laughed and tried to relax. “I’m fine,” he said, twisting his hand to entangle their fingers. “Sorry. I know I’ve been a little …”

“Jumpy?” Bennett grinned.

“Yeah.” Mark shrugged. “It’s just … I told you it had been awhile.” He shot Bennett a look out of the corner of his eye. “I should probably specify that ‘awhile’ means ‘try over two years.'”

Bennett blinked. “Since you’ve … been with someone?”

“By any definition,” Mark said. “No dates, no one-night stands. A couple of makeout sessions that never went any further. So, I’m kind of out of practice with all of this.”

“Well, no pressure,” Bennett said, tugging Mark a little closer to his side. “But I’m really having a great time, and I don’t want the evening to end quite yet.” He stopped in front of a building and nodded. “This is me,” he said, then grinned. “Wanna come up and see my etchings?”

Laughter burst out of Mark. “Please tell me you don’t use that line with every guy you go out with?”

Bennett chuckled as he stepped closer. “Just the ones I really want to get to know better.” He lifted his free hand, fitting his palm against Mark’s cheek, as their laughter died away. “Especially the ones I really, really want to get to know better.”

>Red-Penned

>It’s a strange experience being on the other side of the editorial red pen.

I’m happy to say that I have a tentative acceptance for a short novella, pending some fairly minor revisions to bulk up some backstory. The editors and I discussed a few different possibilities for how to approach the changes, and I’ve started the necessary work.

I have plenty of experience with beta readers in fanfic writing, but in that case, the author always has final word on what to accept and what to reject. Not so with professional publication, where the editors hold the cards.

My “day job” for years has been editing, so I’m used to managing publications from that side of the table. I don’t have much experience from the author’s side. In fact, this would be my first fiction publication if it goes through. Now, needless to say, I’m very excited about all of this, but it’s definitely a new experience for me! I hope I handle it well. I’d hate to lose out on the opportunity because of some newbie error.

>Drabble: Boo-Boo

>”Andy!”

Brandon flung his little body across the room, and Steve scrambled to keep his brother from barreling right into his boyfriend’s lap. “Be careful,” he warned gently. “Andy’s got a boo-boo.”

Brandon looked solemnly at Andy, who held up his elastic-encased wrist, victim of a sprain caused by a fall from a position he’d never describe to anyone. “Just watch out for this and we’ll be fine, buddy,” he said, smiling.

Brandon climbed onto the sofa, all hands and feet. “Make it better,” he said, leaning over to press his mouth against the wrap of fabric covering Andy’s skin.

>Seven Questions With Rachel West

>The Cellmate
By Rachel West
eBook, Dreamspinner Press, June 16, 2010

Let’s start with the basics: what’s your story about, and how can readers get their hands on it?

The Cellmate is a novella about two men who find love in the unlikeliest of places. The story focuses on Andy Bingham and Jesse Cohen, two genuinely good guys who have made some genuinely bad decisions and end up sharing a prison cell. They quickly begin a relationship that starts out as just sex but, to their mutual surprise, turns into something more. It’s available at Dreamspinner Press [link above].

How did you get started writing fiction?

Like a lot of other romance/erotica writers, I started in fanfiction. It began as nothing more than a fun hobby, but I found that I absolutely loved it, and it started taking up more and more of my time. After a while, I decided to branch out and try my hand at original writing. My first book, Everything Under the Sun, came out earlier this year.

Where did the inspiration for The Cellmate come from?

I never know how to answer inspiration questions. I had an image in my head of two guys in a jail cell having strictly physical sex, with no kissing, no false intimacies, and yet somehow, it meant something more than that to both of them. And I couldn’t stop thinking about that image, and the story that might lie behind it, so one day I sat down and just wrote it out. But where did the image come from in the first place? I haven’t the foggiest idea. Sorry, that’s not very helpful! 🙂

How long did it take you to write and revise the book—start to publication?

The Cellmate happened very quickly; from start to finish, about two weeks. I didn’t submit it for publication until much later, though. And it is not a full-length book—it’s only about 21,000 words long. Still, that’s much faster than I usually work. Everything Under the Sun, which was 58,000 words, took about six months.

How much time do you spending writing—by the day, week, month, however you define it?

Probably more than I really should. Heh. I pretty much am writing all the time, or plotting or planning my writing. Except for those times when my dang job gets in the way. Or, y’know, sleep, or food, or being married. 🙂

How do you write, physically speaking? Longhand, laptop, desktop, inside or out, at a desk, comfy chair, in bed?

Yes. Well, almost all of those—strike longhand and outside. But I’ve made thorough use of all the rest of those options.

Other than simply finding the time, what’s the most challenging part of the writing process for you? What comes easiest?

For me, writing the sex scenes is the easiest. The most difficult is deeply emotional scenes, especially confrontations. But all of that is definitely eclipsed by the difficulty of finding the time.

Thanks so much again for having me, Shae!

>Seven Questions With Mickie B. Ashling

>Loving Edits
By Mickie B. Ashling
Paperback & eBook, Dreamspinner Press, June 14, 2010

Let’s start with the basics: what’s your new book about, and how can readers get their hands on it?

My latest novel is a m/m/m romance about three men in crisis. Don’t let the blurb scare you [full blurb on the Dreamspinner website].

Loving Edits celebrates the joys and sorrows of true love while exploring the human spirit. When bestselling novelist Mick Henley contacts his editor and former lover, Paul Alcott, after a seven-year absence, hearing Mick’s voice reinforces what Paul has known all along—he still loves Mick—but his hopes are dashed when he learns Mick is in a loving relationship with Tono Garat. Mick soon reveals he’s been diagnosed with a fatal disease, and Paul and Tono must figure out if they can overcome their differences to provide the loving support necessary to sustain the man they love.

How did you get started writing fiction?

I had a mother who was a voracious reader. She always had a book in her hand, and it was a natural thing for me to gravitate toward her favorite pastime. English and literature were favorite subjects in school, and my vivid imagination just made for a great combination.

How much time do you spend writing—by the day, week, month, however you define it?

I write every day from 3:00 A.M. to 5:30 A.M. Then I get ready for my day job. I never take a break from my schedule, even when I’m on vacation. If nothing new comes to mind, I edit. I’m one of those lucky people who can survive on five hours of sleep.

What’s the most challenging part of the writing process for you?

Finding the perfect words for what I want to say. For instance, it’s always difficult to come up with fresh and different ways to describe a sex scene. There are certain key words that are used to death in this genre (m/m), and I find it challenging to come up with variations of the same.

What comes easiest?

Plotting. I never seem to run out of ideas. Having four sons is very helpful when you’re writing about men. Our conversations usually start with my question and their reply which goes like this. “Eww, don’t ask me that” or “Promise you won’t put this in a book” or “You want to know how to say WHAT in a different way?” It’s always fun to hear the shock, followed by the burst of laughter. I’m amazed I get anything done, but I must say that they have been very helpful with all the ick questions I throw at them.

How do you write, physically speaking? Longhand, laptop, desktop, inside or out, at a desk, comfy chair, in bed?

I use a desktop when I’m at home and a laptop when I’m traveling. I never write in longhand anymore. I can’t write as fast as I create, and it’s frustrating , not to mention difficult, to read my own scribble once I get done. I love computers. They’ve made a huge difference in the way I write. There’s nothing more exciting to me than filling up a blank screen.

Do you write just one story at time, or do you usually have several works in progress?

One at a time. I can’t move on to the next project until the one I’m working on is completed, edited, and submitted. Even after that, I’m on tenterhooks until I get word that it’s under contract. Then I can relax and start on a new story.

What are your long-term goals as a writer?

Quitting my day job is something I dream about. I want to have more time to write, so I’m working toward that goal. As for the actual writing, I enjoy reading historical fiction but have never attempted that genre. I’d love to try my hand at it someday. And who doesn’t dream of the movie deal? That’s the ultimate fantasy for a writer, isn’t it?

Find Mickie on LiveJournal and at her website.

>Drabble: Carnations

>The peppery-sharp scent of carnations tickles her nose as she crosses the unkempt cemetery toward his grave.

She met him only once, at five to his ninety; she remembers the cracks in his skin and the gaps between his teeth. He gave her a Japanese doll wearing a kimono in vibrant reds and greens; she’s treasured it for thirty years.

She replaces the faded plastic flowers with her bouquet, brushing leaves away from the headstone. She resolves to visit more often, to keep the area around the grave clean.

He lived his life alone. He shouldn’t be alone in death.

>Seven Questions With Anne Brooke

>New short stories by Anne Brooke:
Angels and Airheads
eBook, Torquere Press, June 12, 2010
Martin and The Wolf
eBook, Amber Allure Press, June 13, 2010

Let’s start with the basics: what are your newest stories about, and how and when can readers get their hands on them?

I have two new stories coming out in June. First off, there’s Angels and Airheads, a gay comic short story. Ricky has been secretly in love with his best friend Jez forever, but he’s never dared confess his feelings as he thinks Jez is too high-class for him. One evening, a mysterious angel, Madred, appears to persuade Ricky to take a chance on love. But Ricky doesn’t believe in angels, and Madred is forced to take desperate measures in an attempt to show the reluctant Ricky the truth. When the angel leaves, can Ricky find the courage to declare himself to Jez and what will happen if he does?

My second publication is Martin and The Wolf, a gay fantasy short stBoldory. When lecturer Martin meets the mysterious Lucas at a neighbor’s midsummer party, the attraction is instant and hot. The two men soon start a relationship, but Martin is puzzled by Lucas’ behavior. He’s not like any other man he’s ever known, and Martin wants to find out why. But when one August night, he tracks Lucas to the depths of the local park, he realizes more eye-opening truths about his new lover and the pack of strange wolves he runs with than he’d ever before thought possible.

How did you get started writing fiction?

I’ve been writing poetry for years, but in 2000 I went through quite a difficult time and found I couldn’t write any more. I complained so much to my mother that she (bless her!) got quite snippety and told me to stop worrying about the poetry and just write prose instead. It worked! I started writing fiction, and found I enjoyed it so much I just kept on going. Even when the poetry came back.

How much time do you spending writing—by the day, week, month, however you define it?

I tend to write something every day, however small. On Mondays to Wednesdays, I write in the evenings, usually short stories, as during those days I work part-time for my local university. On Thursdays and Fridays, on my days off, I concentrate on the current novel, and I also spend some time over the weekend on it, too. In that case, I like to write about 1,000 words a day, just to keep it ticking over. It used to be 2,000 words, but that was way too much and it was driving me mad, so I scaled it down!

Do you write just one story at time, or do you usually have several works in progress?

I like to have several on the go, but only one in each genre. At the moment, I’m working on the third novel in my fantasy trilogy, The Executioner’s Cane. I’m also working on a lesbian erotic short story, Butterfly Girl. Alongside this, I work fairly regularly on a spiritual novel, The Prayer Seeker’s Journal, which I’m blogging on a fortnightly basis.

And, of course, the poetry pops up every now and then too!

How do you write, physically speaking? Longhand, laptop, desktop, inside or out, at a desk, comfy chair, in bed?

I write fiction straight on to the computer in my spare room. I have a terror of laptops, so it’s a desktop computer! In terms of poetry, I always write it out longhand in my living room or at the dining table, and then type it up onto the computer.

What’s the most challenging part of the writing process for you? What comes easiest?

In terms of fiction, the most challenging part is working out what the characters are going to do next! As I don’t work to a definite plan, but only have a vague notion of where things are going, I sometimes find I write my characters into a corner and then have to try and get them out of the crisis—it does make it more exciting that way though, if tricky.

Strangely, the part of the process I do enjoy—where many don’t—is the editing. I like seeing the whole concept when it’s done and then making it work properly—I get a lot of satisfaction from that.

As for the poetry, the most challenging part is not being too wordy! I’m a great believer that less is more, so it does make cutting fun.

What are your long-term goals as a writer?

This is a question I always find hugely difficult to answer. I’m not sure I really have a long-term plan, though I’d like to keep writing and producing books that people enjoy. On a practical level, I’m looking forward to the publication of the first novel in my fantasy trilogy, The Gifting, which has just been accepted by Bluewood Publishing, so I’m hoping they might take the second and third of the trilogy, too, depending on how things work out. I’m also hoping to produce a chapbook of some of my haikus (I write one a week and include them in my blog) at some stage, but I suspect it won’t be soon.

Apart from that, I’d like to go on developing as a writer and enjoying where this very strange but never dull vocation takes me!