Category Archives: writing

>Red-Penned

>It’s a strange experience being on the other side of the editorial red pen.

I’m happy to say that I have a tentative acceptance for a short novella, pending some fairly minor revisions to bulk up some backstory. The editors and I discussed a few different possibilities for how to approach the changes, and I’ve started the necessary work.

I have plenty of experience with beta readers in fanfic writing, but in that case, the author always has final word on what to accept and what to reject. Not so with professional publication, where the editors hold the cards.

My “day job” for years has been editing, so I’m used to managing publications from that side of the table. I don’t have much experience from the author’s side. In fact, this would be my first fiction publication if it goes through. Now, needless to say, I’m very excited about all of this, but it’s definitely a new experience for me! I hope I handle it well. I’d hate to lose out on the opportunity because of some newbie error.

>Drabble: Boo-Boo

>”Andy!”

Brandon flung his little body across the room, and Steve scrambled to keep his brother from barreling right into his boyfriend’s lap. “Be careful,” he warned gently. “Andy’s got a boo-boo.”

Brandon looked solemnly at Andy, who held up his elastic-encased wrist, victim of a sprain caused by a fall from a position he’d never describe to anyone. “Just watch out for this and we’ll be fine, buddy,” he said, smiling.

Brandon climbed onto the sofa, all hands and feet. “Make it better,” he said, leaning over to press his mouth against the wrap of fabric covering Andy’s skin.

>Seven Questions With Mickie B. Ashling

>Loving Edits
By Mickie B. Ashling
Paperback & eBook, Dreamspinner Press, June 14, 2010

Let’s start with the basics: what’s your new book about, and how can readers get their hands on it?

My latest novel is a m/m/m romance about three men in crisis. Don’t let the blurb scare you [full blurb on the Dreamspinner website].

Loving Edits celebrates the joys and sorrows of true love while exploring the human spirit. When bestselling novelist Mick Henley contacts his editor and former lover, Paul Alcott, after a seven-year absence, hearing Mick’s voice reinforces what Paul has known all along—he still loves Mick—but his hopes are dashed when he learns Mick is in a loving relationship with Tono Garat. Mick soon reveals he’s been diagnosed with a fatal disease, and Paul and Tono must figure out if they can overcome their differences to provide the loving support necessary to sustain the man they love.

How did you get started writing fiction?

I had a mother who was a voracious reader. She always had a book in her hand, and it was a natural thing for me to gravitate toward her favorite pastime. English and literature were favorite subjects in school, and my vivid imagination just made for a great combination.

How much time do you spend writing—by the day, week, month, however you define it?

I write every day from 3:00 A.M. to 5:30 A.M. Then I get ready for my day job. I never take a break from my schedule, even when I’m on vacation. If nothing new comes to mind, I edit. I’m one of those lucky people who can survive on five hours of sleep.

What’s the most challenging part of the writing process for you?

Finding the perfect words for what I want to say. For instance, it’s always difficult to come up with fresh and different ways to describe a sex scene. There are certain key words that are used to death in this genre (m/m), and I find it challenging to come up with variations of the same.

What comes easiest?

Plotting. I never seem to run out of ideas. Having four sons is very helpful when you’re writing about men. Our conversations usually start with my question and their reply which goes like this. “Eww, don’t ask me that” or “Promise you won’t put this in a book” or “You want to know how to say WHAT in a different way?” It’s always fun to hear the shock, followed by the burst of laughter. I’m amazed I get anything done, but I must say that they have been very helpful with all the ick questions I throw at them.

How do you write, physically speaking? Longhand, laptop, desktop, inside or out, at a desk, comfy chair, in bed?

I use a desktop when I’m at home and a laptop when I’m traveling. I never write in longhand anymore. I can’t write as fast as I create, and it’s frustrating , not to mention difficult, to read my own scribble once I get done. I love computers. They’ve made a huge difference in the way I write. There’s nothing more exciting to me than filling up a blank screen.

Do you write just one story at time, or do you usually have several works in progress?

One at a time. I can’t move on to the next project until the one I’m working on is completed, edited, and submitted. Even after that, I’m on tenterhooks until I get word that it’s under contract. Then I can relax and start on a new story.

What are your long-term goals as a writer?

Quitting my day job is something I dream about. I want to have more time to write, so I’m working toward that goal. As for the actual writing, I enjoy reading historical fiction but have never attempted that genre. I’d love to try my hand at it someday. And who doesn’t dream of the movie deal? That’s the ultimate fantasy for a writer, isn’t it?

Find Mickie on LiveJournal and at her website.

>Drabble: Carnations

>The peppery-sharp scent of carnations tickles her nose as she crosses the unkempt cemetery toward his grave.

She met him only once, at five to his ninety; she remembers the cracks in his skin and the gaps between his teeth. He gave her a Japanese doll wearing a kimono in vibrant reds and greens; she’s treasured it for thirty years.

She replaces the faded plastic flowers with her bouquet, brushing leaves away from the headstone. She resolves to visit more often, to keep the area around the grave clean.

He lived his life alone. He shouldn’t be alone in death.

>Seven Questions With Anne Brooke

>New short stories by Anne Brooke:
Angels and Airheads
eBook, Torquere Press, June 12, 2010
Martin and The Wolf
eBook, Amber Allure Press, June 13, 2010

Let’s start with the basics: what are your newest stories about, and how and when can readers get their hands on them?

I have two new stories coming out in June. First off, there’s Angels and Airheads, a gay comic short story. Ricky has been secretly in love with his best friend Jez forever, but he’s never dared confess his feelings as he thinks Jez is too high-class for him. One evening, a mysterious angel, Madred, appears to persuade Ricky to take a chance on love. But Ricky doesn’t believe in angels, and Madred is forced to take desperate measures in an attempt to show the reluctant Ricky the truth. When the angel leaves, can Ricky find the courage to declare himself to Jez and what will happen if he does?

My second publication is Martin and The Wolf, a gay fantasy short stBoldory. When lecturer Martin meets the mysterious Lucas at a neighbor’s midsummer party, the attraction is instant and hot. The two men soon start a relationship, but Martin is puzzled by Lucas’ behavior. He’s not like any other man he’s ever known, and Martin wants to find out why. But when one August night, he tracks Lucas to the depths of the local park, he realizes more eye-opening truths about his new lover and the pack of strange wolves he runs with than he’d ever before thought possible.

How did you get started writing fiction?

I’ve been writing poetry for years, but in 2000 I went through quite a difficult time and found I couldn’t write any more. I complained so much to my mother that she (bless her!) got quite snippety and told me to stop worrying about the poetry and just write prose instead. It worked! I started writing fiction, and found I enjoyed it so much I just kept on going. Even when the poetry came back.

How much time do you spending writing—by the day, week, month, however you define it?

I tend to write something every day, however small. On Mondays to Wednesdays, I write in the evenings, usually short stories, as during those days I work part-time for my local university. On Thursdays and Fridays, on my days off, I concentrate on the current novel, and I also spend some time over the weekend on it, too. In that case, I like to write about 1,000 words a day, just to keep it ticking over. It used to be 2,000 words, but that was way too much and it was driving me mad, so I scaled it down!

Do you write just one story at time, or do you usually have several works in progress?

I like to have several on the go, but only one in each genre. At the moment, I’m working on the third novel in my fantasy trilogy, The Executioner’s Cane. I’m also working on a lesbian erotic short story, Butterfly Girl. Alongside this, I work fairly regularly on a spiritual novel, The Prayer Seeker’s Journal, which I’m blogging on a fortnightly basis.

And, of course, the poetry pops up every now and then too!

How do you write, physically speaking? Longhand, laptop, desktop, inside or out, at a desk, comfy chair, in bed?

I write fiction straight on to the computer in my spare room. I have a terror of laptops, so it’s a desktop computer! In terms of poetry, I always write it out longhand in my living room or at the dining table, and then type it up onto the computer.

What’s the most challenging part of the writing process for you? What comes easiest?

In terms of fiction, the most challenging part is working out what the characters are going to do next! As I don’t work to a definite plan, but only have a vague notion of where things are going, I sometimes find I write my characters into a corner and then have to try and get them out of the crisis—it does make it more exciting that way though, if tricky.

Strangely, the part of the process I do enjoy—where many don’t—is the editing. I like seeing the whole concept when it’s done and then making it work properly—I get a lot of satisfaction from that.

As for the poetry, the most challenging part is not being too wordy! I’m a great believer that less is more, so it does make cutting fun.

What are your long-term goals as a writer?

This is a question I always find hugely difficult to answer. I’m not sure I really have a long-term plan, though I’d like to keep writing and producing books that people enjoy. On a practical level, I’m looking forward to the publication of the first novel in my fantasy trilogy, The Gifting, which has just been accepted by Bluewood Publishing, so I’m hoping they might take the second and third of the trilogy, too, depending on how things work out. I’m also hoping to produce a chapbook of some of my haikus (I write one a week and include them in my blog) at some stage, but I suspect it won’t be soon.

Apart from that, I’d like to go on developing as a writer and enjoying where this very strange but never dull vocation takes me!

>Outside My Realm

>I’m in the midst of editing a novel for an online friend. Only trouble is, it’s not my type of story. It’s fantasy, which I’ve read at times but which I tend to find overwrought and overly descriptive. Still, I can recognize that my friend’s done a good job avoiding the annoying parts of the genre while still staying true to the core. And I can edit almost anything for basic style, grammar, and sense, which is mainly what she wanted from me anyway.

This brings up some interesting questions. My “day job” consists of technical editing, and I’ve worked as a writer and editor in a number of different areas over the years: newspaper, magazines and journals, public relations. I’ve learnd two primary lessons—I don’t want to write for someone else for a living (because then I lose interest in writing for myself), and I don’t want to work with any subject matter that holds no interest for me, as writer or editor.

My current writing is gay romance. This is a spinoff from fan fiction I’ve written recently, but I’ve written fanfic in the past without crossing over into original fiction. I’ve tried, but it’s never worked for me. I’m not really sure what made the difference this time. I’m also writing much longer stories now than I did previously.

For those of you who are writers or editors, do you stick with a specific genre, subject matter, even length? If so, how did you get started working with that type of material? How much do you experiment outside your usual “comfort” range? Have you ever tried something new and loved it? Tried something new and found it just didn’t work for you? What do you think it is that makes the difference?

>Drabble: In the Dark

>She has always hated noir. Pretentious and self-congratulating, it leaves her cold as a Chicago winter, empty as the spaces life has left in her heart. The outside world provides more than enough darkness and paranoia for her taste. She does not need it disguised as entertainment.

She watches now only out of apathy, unwilling to expend the energy it would take to argue her date’s choice. He is engrossed, enthralled, and she flinches as he reaches out in the darkness, his fingers wrapping icicles around her hand.

On the screen, the hero abandons the girl, and she shivers, remembering.

>Seven Questions With William Cooper

>Broken Bones, Mended Hearts
By William Cooper
eBook, Dreamspinner Press, May 2010

Periodically, I’ll be featuring a short interview with an author here. My first victim … er, guest is Dreamspinner author William Cooper. Special thanks to Rachel West for the e-introduction!

Let’s start with the basics: what’s your story about, and how can readers get their hands on it?

My story is about two college guys who’ve been best friends for years. After Noah, the main character, is attacked outside the library, Mark realizes how much he really cares for his best friend.

How did you get started writing fiction?

I started writing fiction back in middle school. My seventh grade teacher gave us an assignment—take one of our favorite novels and rewrite the ending to it. Ever since then, I’ve been writing non-stop.

Where did the inspiration for “Broken Bones, Mended Hearts” come from?

In part, it’s based on my own best friend. Like Mark, my best friend has always been there for me through everything. (Though sadly, he doesn’t have a romantic interest in me.)

The story was originally written for Dreamspinner’s A Brush of Wings anthology. When I read the prompt about stories about angels, I thought of a figurative angel, rather than a literal one. And Mark is Noah’s angel.

How much time do you spending writing—by the day, week, month, however you define it?

I try to write every day. Some days I only manage to get a couple paragraphs done, others I’m practically glued to my keyboard. I have a whole folder filled with random scenes and drabbles that I popped into my head that I had to write down. Some I’ll probably never use, but occasionally I go back through them and add to them or use them in a WIP.

How do you write, physically speaking? Longhand, laptop, desktop, inside or out, at a desk, comfy chair, in bed?

90% of my writing is done on my laptop. I write pretty much wherever I am—at home at my desk, in the middle of my Ancient Literature class, or even while I’m working at the flea market. I always have a notebook with me in case I need to jot down a quick scene or idea. A large part of “Broken Bones, Mended Hearts” was written during my British Literature class. (Sorry, Dr. Chuska.)

What’s the most challenging part of the writing process for you? What comes easiest?

The hardest part of the writing process is the waiting. I’m extremely impatient so I’m constantly pacing waiting for replies. It seems like a lot of the writing process is waiting—waiting for your beta reader, waiting for an acceptance/rejection, waiting for edits, waiting for a proof copy, waiting for a cover and then waiting for release. Sometimes I think I’m in the wrong field when I think about all the waiting I have to do.

The easiest part is coming up with the story. I’ve constantly got stories floating around in my head so it’s not hard to pick one and turn it into words. (Although it’s hard to stick to one very long sometimes.)

What are your long-term goals as a writer?

My long-term goal is to make my living as a writer. I’d love to be able to spend my days writing and get paid for it. Maybe then my friends will stop looking at me like I’m mental when I say I’d rather sit home and write then go out to a party.

>Works in Progress: Summer Stock

>”So tell me all your secrets.”

Ethan’s gaze snapped back up to meet Jason’s, sure he was caught checking out his new roommate, but Jason’s face was relaxed and his eyes closed, lashes casting dark shadows on the ridges of his cheekbones. “You’re supposed to keep me out of trouble this summer, right?” Jason continued, a note of humor in his voice. “Or do I have to go through some elaborate hazing ritual first?”

Ethan laughed a little at that and relaxed, too, settling onto his side on his bed, propping his head up with one hand. “I think rooming with me is enough punishment for anyone,” he said, drawing a chuckle from Jason. “What do you want to know?”

Jason shrugged, crossing his arms over his chest, eyes still shut. “Anything that’ll help,” he said. “People to avoid? Food not to eat? Where the poison ivy hides?”

Ethan rolled onto his stomach, folding his hands under his head and resting his cheek against the backs of his fingers. “People to avoid, not many,” he said. “Mostly Don doesn’t put up with any nonsense. Some rookie usually gets full of their own worth within the first few weeks and gets put into place pretty quickly. It’s kind of like boot camp, really. Not that bad, but they do kind of tear you down so they can build you back up.”

Jason nodded, eyes finally opening, focusing on Ethan’s face. “Got it,” he said. “No ego trips.” He shrugged again, grinning. “Not likely to be an issue anyway. I’m fully aware I’m pretty much a rank beginner here. I never even took a drama class until my junior year in high school.”

Curious now, Ethan lifted his head and an eyebrow. “How’d that work anyway?” he said. “It’s kind of hard for me to imagine. I’ve been acting since I was a kid in some form or another. How’d you get into it so late?”

Jason dropped his head forward and gave a lopsided smile. “My best friend wanted to do it,” he said. “We both had an elective spot open, and she’d done some community theater stuff and liked it, so she talked me into it. And the rest–“

“Oh no no no,” Ethan interrupted, waggling a finger. “No cliches! We’ll get enough of that when we start reading scripts, trust me.”

Jason grinned then. “Okay, okay, so let’s just say I got my foot caught in the door.”

>Submitting

>I’ve just send in my second-ever fiction submission (not counting a handful of drabbles published in a long-defunct webzine). The first submission came many years ago, when I knew much less about writing and publishing than I do now. I chose an inappropriate market and didn’t put enough effort into editing, so naturally, it was rejected.

Everyone knows that rejection is difficult. Unfortunately, it’s a fact of life for an author, especially one who’s just testing the waters. It’s easy enough to find suggestions and recommendations for ways to improve the odds of success, but much harder to implement them. Writing workshops, critique groups, “beta” readers, professional editing; at what point does it become too much? When do you reach a point of diminishing returns?

The story I’ve just submitted was originally written as fanfiction, which means that it’s been edited and read in a different form already. For that reason, I chose not to go through the workshop/critique whirlwind this time, ready to accept a rejection if it comes. Call it impatience, but at this point, I’d rather expend the energy on stories that aren’t yet completed. If this submission is rejected, then I’ll decide whether to put in the additional effort to try again.

Eventually, I’ll probably also return to that first story and give it more polish than it had on the first try. It’s a learning process, and I’m fully willing to admit that I’m still a rank beginner.